Seven Romances
I could not help myself, I fell in love with the florist. Each day he handed me arrangements of flowers: lilies-of-the-valley, chrysanthemums and roses, exotic willows and violets.
I could not help myself, I fell in love with the florist. Each day he handed me arrangements of flowers: lilies-of-the-valley, chrysanthemums and roses, exotic willows and violets.
I suppose you would have to call our apartment cozy. Two and a half rooms in a basement on Fourth Street, where the coats and the roaches mingle freely in the bathtub, the sink works often as not and the people wash their feet in the toilet. Cozy but not sanitary.
OK, it’s sunny, otherworldly, skintight,
where we’re flabby and clouded over, pining away
under layers of jealousy, detachment, the compost heap
In the old days there were characters
and settings: if you wrote snow,
you could see wetness and whiteness
It's all talk isn't it, emblem
and suggestion, it's either tremulous stutter
or taunting display: flashy but fleshless, a con man
I support the animals’ urge to survive.
So much for opinions. Slithering, writhing,
nosing my way through dirt, I can identify
with that. I joke to keep the system going.
The lighthouse as an image
of loneliness has its limits.
For as we stand on the shore
Ira Sadoff’s poem “February: Pemaquid Point” appeared in our Winter–Spring 1980 issue. His most recent collection is True Faith (2012). The lighthouse as an image
of loneliness has its limits.For as we stand on the shore
of this ocean, crusted snowOn t…