—Guidebook to the Wieliczka Royal Salt Mine
Were we in Grand Rapids,
at the Amway
Plaza, say, the seventh or eighth person
would likely have waited
for another car,
preferring not to unround his bubble
of self against the else
of another
someone, or flatten it by walnut trim
and a carpet-covered
office panel.
But here in Wieliczka, ascending from
the Chapel of the Bless
-ed Kinga, where
twenty-two is too few for the same space
(approximately), we
must decide where
we want our hands to go—or stay—during
the slow, blind ascent of
the "original
mine lift," which only once in its thirty
electric years failed
to deliver
thankful, precious humanity into
the pregnant wind of Polish
cabbage fields.
(This gap-planked cargo pen recalls the boxcar
photos we'd seen at
Oswifcim—
fingers seeking unfetid air like cow
tongues . . .) Not to worry. We're
sure to be raised
through bores of "ordinary working shaft,"
from the briny, thick haze
of chambers where
even the chandeliers are carved from salt,
a seasoning thought so
celestial that
Copernicus was reputed to have
descended to it in
1493,
witnessing the faint blue Hickering of
a salt sprite, a blink of
light found no where
else in the universe. Some places are
in fact like no other.
Here perspective
is deceptive: The Last Supper measures
little more than twenty
centimeters,
yet the bas-relief sculpted by Wyrobek
in 1935
seems deeper, more
three-dimensional, and more lifelike than
the familiar painting
it's modeled from.
Finally, our rising—breathless, sweaty—
counters all we've come to
know of space, earth,
and gravity. We will leave behind in
the souvenir shop
subterranean
the products of wealthy geologies,
and take instead to the
brilliant surface
our body's thin bag of minerals, where
we too may glimmer
in golden fall like
fabulous crystals first entering air.